Love david bowie

Tagged: david bowie, 80’s, .
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Happy Birthday dear David!!!!

SUNDAY: David Bowie Worship Band to Put on a Blasphemous Sparkly Spectacle


These guys have been stenciling the Mission in anticipation of their big show, and now they’re ready to grace Public Works with a giant, beautifully cultish celebration of all things Bowie:

Experience David Bowie’s love this Sunday, 2/26 at Public Works featuring a special service from the Mission’s own Bowie worship band The First Church of the Sacred Silversexual.  After a year in the making based out of a garage on Florida and 25th, we’re ready to share with our neighborhood a musical, theatrical, sparkly spectacle of a show that tap dances the line between religion and revelry, beatitude and blasphemy, rock show, and revival.

And here’s what they they sound like covering Ziggy Stardust:

If that’s not enough to get you in the door, they’re promising $3 “Stardust shooters” (??? !!!) until 10pm and $3 beers all night.

Tickets are only $5 if you get ’em early, so head over to Eventbrite and slap down your credit card.




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Confession: I like men in drag


 Joanthan Rhys Meyers and Ewan McGregor in Velvet Goldmine

The other night, I watched the movie Velvet Goldmine again and it got me thinking about how much I like an androgynous man.  Velvet Goldmine hearkens back to the days of Glam Rock and features hot men like Jonathan Rhys Meyers, Ewan McGregor and Christian Bale in make up. Ironically, Eddie Izzard is one of the few stars in the movie not wearing make up.
I began to notice men in the 1970′s, when rock stars like David Bowie, Marc Bolan and the New York Dolls were popular. It was the days of men with long hair, glitter eye shadow and tarty lipstick wearing flashy clothes and it made a big impression on me. These men with their blatant gender bending were so much sexier than the average Jock type to me. They were rebelling against the traditional male uniform. They were bravely flouting convention in an in your face way that was hard for me to resist. You see, I also have a rebellious spirit and a keen fashion sense and I related to these men, who I saw as so much more manly than the Jocks or the Suits. These men were breaking new ground, they were leaders. They were the new Alpha Male in all of their peacock feathered splendor.

Marc Bolan of T Rex                                                     The New York Dolls

David Bowie as Ziggy Stardust

Then there was Tim Curry in the Rocky Horror pictures show licking his shiny red lips with a naughty, mischievous glint in his eye and singing “Give yourself over to absolute pleasure”. It didn’t matter that he was into both women and men, in fact that was a large part of the lure for me. He was unabashedly crashing through sexual boundaries.

Tim Curry in the Rocky Horror Picture Show

Since those days there have been very few examples of in your face male androgyny. In the 1980′s, Prince filled that role. At once, both masculine, feminine and oozing sex from every pore, Prince was my fantasy in those days.

Prince, from the Lovesexy Album cover

In the 1990′s Marilyn Manson took androgyny to a much darker and more Gothic place with his flawlessly painted face and very masculine voice. he merged male and female into one hot package.

Marilyn Manson

Currently, the most famous example is the aforementioned Eddie Izzard who has been quoted as saying, ”Women wear what they want and so do I”. That attitude is irresistible to me.

Eddie Izzard, in all his glory.

Androgyny isn’t just dressing in drag. It’s a mindset. It’s a lifestyle. It’s sexy as hell.




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Hooked to the Silver Screen



David Bowie in The Man Who Fell to Earth (1976)I got knocked flat by a nasty flu bug that has kept me in bed all week. I’m still on the mend and not fully recovered but I wanted to post a quick update and compile some links to a few things of possible interest.

First up, here’s a couple of links to my latest posts at The Movie Morlocks. The first is for an interview I did with local artist Nicolas Caesar who will be appearing on Creepy KOFY Movie Time tonight at 11PM, February 19th. Creepy KOFY Movie Time is a local Northern California TV program that airs every Saturday night on KOFY TV20 or CABLE13 and they play classic horror films as well as cult favorites. Nicolas will be chatting about the Herschell Gordon Lewis’ movie Color Me Blood Red (1965) on this week’s show along with the program’s regular hosts Balrok and No Name.
– My KOFY Break with Nicolas Caesar @ TCM’s Classic Movie Blog

This week I almost didn’t post anything at The Movie Morlocks but at the last minute I managed to (roughly) finish a little something that I had been working on for weeks called “Life On Mars” that borrows it’s title from one of my favorite David Bowie songs. It’s a personal post that takes a look back at my earliest attempts to write film reviews for my school newspaper. If you want to know what films I was watching and writing about at age 14 you can find a couple examples I scanned from old school newspapers. I had planned on writing more in-depth on the topic but I couldn’t find any other issues of my school newspaper to scan and I was getting a little too self-reflective for my own good. I didn’t want to bore Movie Morlock readers with my self-indulgent trip down memory lane so I tried to make my post as brief as possible. Unfortunately my fever didn’t help matters much and I’m sure I rambled a bit more than I had intended. But movies have always been an important part of my life and it’s fun to look back at my early reviews and remember how I started seeing films differently at age 14.
– Life On Mars @ TCM’s Classic Movie Blog

Martin Kosleck and Rondo Hatton in House of Horrors (1946)The Rondo Awards were announced this week and although Cinebeats wasn’t nominated for anything this year, a few of my favorite bloggers were including Stacie Ponder of Final Girl, Pierre Fournier of Frankensteinia, August Ragone of The Good, the Bad and the Godzilla, Curt Purcell of Groovy Age of Horror and the esteemed Tim Lucas of Video Watchblog who also has lots of other nominations for various projects he’s worked on including his magazine Video Watchdog. If you do vote this year please consider their fine contributions to the blogosphere.
– The Rondo Hatton Awards

In other news, the For the Love of Film Noir Blogathon started on Valentine’s Day, February 14th and runs until February 21st. Some of my fellow Morlocks expressed interest in participating so they took up the gauntlet for TCM. I’ve linked to a couple of their contributions below and posted a great video clip for the blogathon compiled by another one of my favorite bloggers, Greg of Cinema Styles. If I wasn’t feeling like death was at my door I might pull something together myself but please give these other posts a look.
– For the Love of Film Noir Blogathon: THE STRANGER ON THE THIRD FLOOR @ TCM’s Classic Movie Blog
– For the Love of Film (Noir) Blog-A-Thon: The Sound of Fury (1950) & TCM’s Classic Movie Blog



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David Bowie expected at Whitney Houston ’s funeral

David Bowie is expected to come out of hiding to attend Whitney Houston’s funeral today.
It has been a long time since anyone saw the Thin White Duke, so it will be a special moment to see him pay his respects to Whitney. His wife Iman is expected to be with him.
Amongst the other guests are: Clive Davis, Stevie Wonder, Aretha Franklin, Oprah Winfrey, Kevin Costner, Beyoncé, Jay-Z, Elton John, David Furnish, Bill Cosby, Brandy and her brother Ray-J, Alicia Keys, Janet Jackson and Mariah Carey.


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David Bowie Retrospective at MAD in NYC


I recently took time to see the David Bowie: Artist exhibit at the Museum of Arts and Design (MAD) while in New York City on Thursday. The retrospective features several videos spanning Bowie’s entire career, live shows, his acting prowess and a look at his artistic roots and influences. The museum also screened a documentary on the singer/producer and offered younger fans a chance to catch him in “The Man Who Fell to Earth,” Bowie’s first starring role.

While at the sixth-floor exhibit, there were fans of all ages paying homage to one of the 20th century’s most dynamic and diverse artistic talents. While the early 80s videos brought back some memories, it was good to see his videos from the 1990s which were rarely seen in the U.S. Still, when looking back at Bowie’s early work, his pioneering video effects that may seem primitive to the digital age producers of today actually brought to life the idea of adding visual artistry to the music video — a strategy quickly adapted by select producers in the US and UK and eventually led to the golden age of music videos.

Overall, the exhibit is both enjoyable and intriguing as it gives the viewer a real look into Bowie’s full history and background as an artist and showcases his talents in everything from cabaret to painting to mime to cool suits.

The David Bowie: Artist exhibit will be at the Museum or Arts and Design (2 Columbus Circle, NYC) through July 15th. Information on the event and admission can be found on the MAD website.



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The Man Who Fell To Earth

David Bowie in The Man Who Fell To Earth

I stopped by the Landmark Lumiere last week to see The Man Who Fell To Earth.

The Man Who Fell To Earth starring David Bowie & Candy Clark; with Rip Torn & Buck Henry; directed by Nicolas Roeg; (1976)

Nicolas Roeg is a well known director despite a modest output. I saw his latest feature, Puffball (2007), at the 2008 Dead Channels.

Dead Channels was the festival former Indiefest programmer Bruce Fletcher tried for two year after he left Indiefest. I heard Bruce Fletcher was programming the Idaho Film Festival. Idaho? On the festival’s website, Executive Director Lyle Banks states “In 2009 Bruce Fletcher and I made the decision to move the Film Festival to March to offer the festival a greater ability to attract films that are otherwise unavailable during other times of the year…It is necessary to announce the suspension of the film festival until our executive and leadership teams are reconstituted. Our plan is to have a team in place and ready to produce the festival for March 2012, and possibly a smaller showing in Boise in 2011.” I notice Bruce’s name is not among the staff listing. I also recall he was programming the Vortex Room too.

How did I get on this subject? I remember…Nicolas Roeg. Looking at his credits, I see that I’m unfamiliar with his films (at least when he is the director). There is Puffball which I was less than enthusiastic about (although I can remember it clearly 3 years later) and The Man Who Fell To Earth which I’m familiar with because I’m a modest fan of David Bowie’s work. It makes me wonder how I’m familiar with Roeg’s name.

The Man Who Fell To Earth pretty much says it all. David Bowie plays the alien who has come to earth in search of water to ship back to his drought-stricken home world. He uses his planet’s superior technology to take out patents and create a powerful and successful tech company. His goal is to use the company to finance regular shipments of water and ultimately himself back to his planet. While on earth, he encounters various humans. There is Candy Clark as Mary Lou who becomes his girlfriend, Buck Adams as Farnsworth – his patent lawyer and eventually president of his tech firm and Rip Torn as Dr. Bryce, a bored and unethical college professor who comes to work for the firm. Bowie’s character goes by the name Thomas Newton (from England).

The film follows Netwon’s efforts and I noted a few things. First, television and alcohol are the ruin of Newton. Earth’s television signals emanate into outer space and presumably that is how Newton came to choose Earth. Newton likes to watch TV with a dozen sets going at once. Although initially abstinent, close interaction with Mary Lou leads Newton to indulge in sex and alcohol to a destructive degree. I also noticed that Newton seems to hold Japanese culture in highest esteem.

Eventually, Newton’s success and eccentricities (and perhaps Bryce’s perfidy) attract the attention of a quasi-governmental agency which holds Newton captive and performs experiments on him. By this time, the effects of the alcohol and TV as well as extended absence from his family and home, have rendered Newton dysfunctional.

The plot definitely seems secondary to Roeg’s innovative flare for visuals. A few scenes are inspirational. In one scene, Newton transforms from human to his natural state and Roeg frames the transformation with montage of water and human/bipedal forms in something closer to performance art than film. Towards the end of the film, in a scene I read was original censored out of the US release, Newton handles a large handgun before having sex with Mary Lou. The audience thinks he will shoot her but it turns out to be loaded with blanks and the scene moves to the surreal as darkness is punctuated by the flashes of the gun being discharged and their naked bodies writhing. Both scenes were enhanced with the musical soundtrack.

Speaking of naked bodies, I sometimes forget how provocative the 70s were. Rip Torn does the full monty despite having a middle-aged spread. In some well-simulated sex scenes, the audience discovers that Mr. Torn is circumcised. Far from gratuitous (although there were two comely actresses in the scenes), Torn’s sexcapades were actually important to the development of Bryce’s character.

At nearly 2 hours, 20 minutes, The Man Who Fell To Earth could have benefited from some edits. I scratched my head for certain characters. Bernie Casey shows up as a government agent, goes for a nude swim in his pool and then gets it on with his white wife. Farnsworth is gay for no particular reason and his death is comically absurd. The Man Who Fell To Earth has some personality and flavor which seemed de rigueur of films in the 70s and painfully absent from films today.

I can’t give a blanket recommendation of the film or say I fully enjoyed The Man Who Fell To Earth but I’m glad I saw it and there is a lot to appreciate in the film. Roeg’s skills as a director, the editing, the soundtrack and the performance of the main cast are all exemplary. Bowie’s appearance can be startling which anyone who has seen Ziggy Stardust knows. At other times, the plot and film seem to take on affectations. Also, some of the special effects probably looked cheesy 35 years ago much less today. On the whole, I’m glad I saw The Man Who Fell To Earthand hold it up as an example of a certain type of film which is, unfortunately, no longer made. I’m also eager to see some of Roeg’s other films.


David Bowie – The man who fell to earth (1976_capture)


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